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The score was not published until 1867, forty years after the composer's death in 1827. The discoverer of the piece, Ludwig Nohl, affirmed that the original autograph manuscript, now lost, had the title: "Für Elise am 27 April [1810] zur Erinnerung von L. v. Bthvn" ("For Elise on April 27 in memory by L. v. Bthvn"). [4]
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Although both hands play their single notes at the same time, the use of rubato is encouraged. The entire harmonic structure, with one exception, is constructed so that the left-hand part outlines a B-minor triad directly below the right-hand melody. Thus, when the melody is on a C# or D, the left hand is on a B.
Psychedelic rock band Vanilla Fudge covered the piece (along with Fur Elise) that is part of "Phase Two" on their 1968 album, The Beat Goes On. In July 1975, Dmitri Shostakovich quoted the sonata's first movement in his Viola Sonata, op. 147, his last composition. The third movement, where the quotation takes fragmentary form, is actually ...
"Für Elise" (German: "For Elise") is the popular name of the "Bagatelle in A minor", WoO 59, a work for solo piano written by Ludwig van Beethoven in about 1810. The work is widely familiar and has been frequently adapted for use in works of popular culture. This article is a listing of such uses.
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Born in Hong Kong, Poon began taking piano lessons at the age of four. [1] At nine, she moved to New York to study at the Juilliard School Pre-College Division for eight years with a full scholarship, under the guidance of Yoheved Kaplinsky.