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The painting is painted in many layers, with brilliant colours, as many of Hunt's paintings are painted. [ 8 ] It was exhibited at the Royal Academy summer exhibition in 1853 under the title Our English Coasts , but the frame bore the inscription "The Lost Sheep", and it was renamed Strayed Sheep when it was exhibited at the Exposition ...
In Hunt's painting, the shepherd ignores his flock of sheep, who wander over a ditch into a wheat field. This violation of boundaries is paralleled by the shepherd's physical intrusions into the personal space of the young woman, who responds in an ambiguous way that might be interpreted as complicity or as a knowing scepticism.
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The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
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The Hippopotamus and Crocodile Hunt is an oil painting on canvas by Peter Paul Rubens. It was commissioned in 1615 to decorate Schleißheim Palace, along with three other works depicting lion, wolf, and boar hunts. The cycle of paintings was looted from the palace during the Napoleonic Wars.
Hunt also painted a small-scale version of the composition in 1873. Hunt expert Judith Bronkhurst describes it as "harder and crisper in appearance than the Manchester painting". It was sold for £1.8 million in 1994, which at that time was the highest price paid for a Pre-Raphaelite painting. [8] It is held in Leeds Art Gallery.
Hunt started painting on the shore of the Dead Sea, and continued it in his studio in London. The work exists in two versions, a small version in brighter colours with a dark-haired goat and a rainbow, in Manchester Art Gallery , and a larger version in more muted tones with a light-haired goat in the Lady Lever Art Gallery in Port Sunlight .