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The technique is often executed using the guitar's volume knob. Beginning with the knob turned down to zero, it is increased when a note is played. The effect can also be performed by using a volume pedal. It is sometimes called "violining", because the sound is similar to a bowed violin. [1]
The Ibanez Tube Screamer is a guitar overdrive pedal, made by Ibanez.The pedal has a characteristic mid-boosted tone popular with blues, rock and metal players. The Tube Screamer has been used by many guitarists to create their signature sound, and is one of the most successful, widely copied, and custom-modified ("modded") overdrive pedals in the history of the electric guitar.
On the left hand side, the Pedal division is on the outside, with the Swell to the inside. Other divisions can be placed on either side, depending on the amount of space available. Manual couplers and octave extensions are placed either within the stop knobs of the divisions that they control, or grouped together above the uppermost manual.
Here, the two strings on the far side pass through the keyhole slots directly, but the nearer two strings use fine tuners. Fine tuners are used on the tailpiece of some stringed instruments, as a supplement to the tapered pegs at the other end. Tapered pegs are harder to use to make small adjustments to pitch. Fine tuners are not geared.
Bass tuners generally feature larger knobs than guitar tuners as well; often these are distinctively shaped, and known as "elephant ears". Gear ratios of 20:1 are used often. Exposed gears are much more common in premium bass guitars than in six-string non-bass instruments. The machine heads on a classical guitar.
An earlier Electro-Harmonix pedal, the Axis Fuzz, was also manufactured for the Guild guitar company as the Foxey Lady and used a similar chassis as the early Big Muffs, but had a simpler two-transistor circuit. With the introduction of the Big Muff, the Axis was discontinued and the Foxey Lady pedal became a rebranded Big Muff.
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The top panel was labeled with Pro Co Sound "The RAT" and the three control knobs as Distortion, Tone and Volume. Between 1979 and 1980 there were several cosmetic changes to the pedal as Pro Co worked to source knobs and print the labels on the pedal, but the circuit remained largely unchanged. In 1981 the Rat saw its first circuit change.