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Sonetos de la Muerte (Sonnets of Death) is a work by the Chilean poet Gabriela Mistral, first published in 1914. She used a nom de plume as she feared that she may have lost her job as a teacher. [1] The work was awarded first prize in the Juegos Florales, a national literary contest.
While little is known about her first love, his death influenced Mistral's poems, which often explored themes of death, despair, and possibly a resentment towards God. Her collection of poems titled Desolación , inspired by the loss of her first love and later the death of a beloved nephew, impacted many others.
Gabriela Mistral, Sonetos de la muerte ("Sonnets of Death"), Chile [20] Patrick Pearse, Suantraidhe agus Goltraidhe (Songs of Sleep and of Sorrow), Ireland; Rainer Maria Rilke, Fünf Gesänge, August 1914 ("Five Hymns, August 1914"), written, Germany
After the poet's death in January 1957, Doris Dana translated and edited one bilingual edition of the Selected Poems of Gabriela Mistral from Spanish to English. [ 4 ] [ 5 ] In 2006, Dana died and left behind what is known as el legado , or the legacy, an archive of Mistral's unpublished manuscripts, letters, taped recordings of poems, and ...
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He would also follow in Mistral’s footsteps when he won the Nobel Prize in Literature in 1971, [2] 26 years after Mistral herself had won the highest honor in literature in 1945. [3] In contrast to this tenuous link, the relationship between Huidobro, De Rokha and Neruda was one of the most persistent rivalries in Chilean cultural history.
The 1945 Nobel Prize in Literature was awarded to the Chilean poet Gabriela Mistral (1889–1957) "for her lyric poetry, which inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world." [1] [2] She is the fifth female and first Latin American recipient of the literature prize. [3 ...
The first Latin American poet to receive the Nobel Prize in Literature is Gabriela Mistral. [27] Mistral's lyrics used a regular meter and rhyme to describe impassioned female subjects, such as the abandoned, the jealous lover, the mother in fear for her vulnerable child, and the teacher who lifts her students with a love for knowledge and ...