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Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Choral poetry is a type of lyric poetry that was created by the ancient Greeks and performed by choruses (see Greek chorus). Originally, it was accompanied by a lyre , a string instrument like a small U-shaped harp commonly used during Greek classical antiquity and later periods.
This is a list of online digital musical document libraries. Each source listed below offers access to collections of digitized music documents (typically originating from printed or manuscript musical sources). They may contain scanned images, fully encoded scores, or encodings designed for music playback (e.g., via MIDI). Some (e.g ...
cross-indexing of choral music using criteria including musical genre, period, and number and voicing of choral parts; composer information; description and performance considerations can be included for works; contents of collections of choral music; community discussion such as through "Talk" pages related to composers or specific works.
Carols for Choirs is a collection of choral scores, predominantly of Christmas carols and hymns, first published in 1961 by Oxford University Press.It was edited by Sir David Willcocks and Reginald Jacques, and is a widely used source of carols in the British Anglican tradition and among British choral societies. [1]
The cantata is based on the hymn in three stanzas " Wachet auf, ruft uns die Stimme" (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7).
The Chorale’s season typically features a mix of masterworks and new compositions selected by artistic director Karen Kenaston-French, who is a professor and director of choral activities at UT ...
Das Lied vom deutschen Vaterland, WAB 78, a 20-bar long work in D-flat major for men's choir composed in c. 1845.The composer of the text is unknown. Ständchen, WAB 84.2, a 29-bar long work in G major, for humming men's-voice quartet and tenor soloist, composed in c. 1846 on a text possibly by Ernst Marinelli.
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