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In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence. [1]
Unity of opposites" allows for a balance of contradiction. A most basic example of the cycle of contradiction is life and death. There are contradictions that can be found in mechanics, mathematics, science, social life, etc. [ 10 ] Deborin claims that there is only difference found in the world.
One example occurs in the liar paradox, which is commonly formulated as the self-referential statement "This statement is false". [16] Another example occurs in the barber paradox, which poses the question of whether a barber who shaves all and only those who do not shave themselves will shave himself. In this paradox, the barber is a self ...
The use of opposites clarifies both extremes. In poetry the use of opposites can bring a sharper contrast to an image and provide a greater focus to the desired message. It is often marked by the use of the conjunction ‘but’, placed between two statements to juxtapose them and helps the reader or to view both the positive and negative ...
In his essay "On the Question of Dialectics", Lenin stated, "Development is the 'struggle' of opposites." He stated, "The unity (coincidence, identity, equal action) of opposites is conditional, temporary, transitory, relative. The struggle of mutually exclusive opposites is absolute, just as development and motion are absolute." [41]
Several fragments seem to relate to the unity of opposites. [45] For example: "The straight and the crooked path of the fuller's comb is one and the same"; [af] "The way up is the way down"; [ag] "Beginning and end, on a circle's circumference, are common"; [ah] and "Thou shouldst unite things whole and things not whole, that which tends to ...
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The contrast of white and black (light and darkness, day and night) has a long tradition of metaphorical usage, traceable to the Ancient Near East, and explicitly in the Pythagorean Table of Opposites. In Western culture as well as in Confucianism, the contrast symbolizes the moral dichotomy of good and evil.