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In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence. [1]
Unity of opposites" allows for a balance of contradiction. A most basic example of the cycle of contradiction is life and death. There are contradictions that can be found in mechanics, mathematics, science, social life, etc. [ 10 ] Deborin claims that there is only difference found in the world.
One example occurs in the liar paradox, which is commonly formulated as the self-referential statement "This statement is false". [16] Another example occurs in the barber paradox, which poses the question of whether a barber who shaves all and only those who do not shave themselves will shave himself. In this paradox, the barber is a self ...
Lenin's notes on dialectics played an influential role in Soviet and Chinese studies on contradiction and the unity of opposites. The Notebooks are often contrasted by scholars with Lenin's Materialism and Empirio-criticism .
Non-duality ― the holistic unity of contradictory opposites. Polarity ― the basic concept of interdependent, interpenetrating opposites coexisting and complementing one another as expressed in the ‘bright and dark’ (yin and yang) symbol. Yin, the negative, passive, (traditionally) feminine side, must interact with yang, the positive ...
Several fragments seem to relate to the unity of opposites. [45] For example: "The straight and the crooked path of the fuller's comb is one and the same"; [af] "The way up is the way down"; [ag] "Beginning and end, on a circle's circumference, are common"; [ah] and "Thou shouldst unite things whole and things not whole, that which tends to ...
The nonprofits handing out the pipes say it’s about “harm reduction” — effectively an “if you can’t beat ‘em, join ‘em” approach to the drug crisis.
For example, John Donne and the metaphysical poets developed the conceit as a literary device, where an elaborate, implausible, and surprising analogy was demonstrated. In Renaissance poetry, and particularly in sonnets , the contrast was similarly used as a poetic argument.