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Nishiki-e (錦絵, "brocade picture") is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu , who produced many nishiki-e prints between 1765 and his death five years later.
Hazaemon Ichimura XIII as Benten-kozo Kikunosuke by Toyokuni Utagawa III "Aoto Zōshi Hana no Nishiki-e" (青砥稿花紅彩画), as the original and fullest version of this play is known, is a tale in five acts of the shiranamimono (tales of thieves) sub-category of the kizewamono (rough contemporary piece) genre of kabuki plays.
These Nishiki models, though manufactured outside Japan (e.g., in Taiwan, by Giant Bicycles and possibly in Italy by Colnago, Olmo or Viner) often carried the name Nashiki and some of the same model names as had been used on the Kuwahara-built bicycles. [7] The brand name Nishiki was retired by Derby in 2001 in North America. [8]
Ōtani Oniji III in the Role of the Servant Edobei, nishiki-e colour print, 1794. Tōshūsai Sharaku (Japanese: 東洲斎 写楽; active 1794–1795) was a Japanese ukiyo-e print designer, known for his portraits of kabuki actors. Neither his true name nor the dates of his birth or death are known.
Tsuitate no Danjo is a multicolour nishiki-e print made with ink on handmade washi paper [6] in ōban size, about 39 by 26 centimetres (15 in × 10 in). It was published in c. 1797 by Moriya Jihei []. [7]
Teeth blackening. Nishiki-e by Utagawa Kunisada, 1820, from the series Mirrors of the modern boudoir.. Ohaguro (Japanese: お歯黒, pronounced, lit. ' black teeth ') is the name given in Japan to the custom of blackening one's teeth with a solution of iron filings and vinegar.
Nurioke no bosetsu, colour nishiki-e print, 1766. Zashiki Hakkei (Japanese: 坐敷八景, [a] "Eight Parlour Views") is a series of eight prints from 1766 [2] by the Japanese ukiyo-e artist Suzuki Harunobu. They were the first full-colour nishiki-e prints and are considered representative
Hari-shigoto (針仕事, "Needlework", c. 1794–95) is a colour triptych print by the Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753 – 1806). It depicts women working with cloth at home with children playing around them.