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Animal rights has been a subject of both popular and independent music since the 1970s. [1] Associated with the environmentalist musical counterculture of the previous decade, animal rights songs of the 1970s were influenced by the passage of animal protection laws and the 1975 book Animal Liberation . [ 1 ]
"Voyeur" is a largely spoken word song where an animal abuser who recorded himself torturing animals is tortured and murdered. Otep called the song "My most scariest ever and I’m happy about that." The song was inspired by a video Otep saw online about a young man in Eastern Europe videoing himself hurting animals and the activist group that ...
During 2006 two University of Wisconsin–Madison employees, one a Vietnam veteran, began an in-depth survey of hundreds of Vietnam veterans, and found that "We Gotta Get Out of This Place" had resonated the strongest among all the music popular then: "We had absolute unanimity is this song being the touchstone. This was the Vietnam anthem.
The lyrics tell the story of someone who regrets having wasted too much time doing useless things instead of aspiring to become someone successful. Musically, the song has a dark and depressed feeling with a light-hearted break just before the final verse. The song features a string quartet, which is heard in the second portion of the song.
Animal Fair (song) Animal Farm (song) Animales; Animals (Maroon 5 song) At the Zoo; B. Bless the Beasts and Children (song) D. Dirty Paws; Dominick the Donkey; F ...
The list differs from the 2004 version, with 26 songs added, all of which are songs from the 2000s except "Juicy" by The Notorious B.I.G., released in 1994. The top 25 remained unchanged, but many songs down the list were given different rankings as a result of the inclusion of new songs, causing consecutive shifts among the songs listed in 2004.
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Pretty Hate Machine is the debut studio album by the American industrial rock band Nine Inch Nails, released by TVT Records on October 20, 1989. Frontman Trent Reznor sang and performed most of the instruments, also producing the album alongside Keith LeBlanc, John Fryer and Flood, with a few other contributors.