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Joseph O. Legaspi [1] is an American poet. [2] He is the author of two full length poetry collections and two full-length poetry chapbooks. [3] [4] [5]With the poet Sarah Gambito, he cofounded Kundiman, a national nonprofit organization that nurtures generations of writers and readers of Asian American literature.
"Mother to Son" is a 1922 poem by American writer and activist Langston Hughes. The poem follows a mother speaking to her son about her life, which she says "ain't been no crystal stair". She first describes the struggles she has faced and then urges him to continue moving forward.
In the earlier poem, a young chimney sweeper recounts a dream by one of his fellows, in which an angel rescues the boys from coffins and takes them to a sunny meadow; in the later poem, an apparently adult speaker encounters a child chimney sweeper abandoned in the snow while his parents are at church or possibly even suffered death where ...
The poem was written because of how important his mother was to him, and as a result of receiving the picture. [ 3 ] [ 4 ] Completed shortly before his last insanity attack, the poem was first published by itself in 1798, later being published with other poems in 1799.
The poem addresses the Mother of God, thanking her for hearing her prayers and pleading for a bright future. When it was included in the collection The Raven and Other Poems it was lumped into one large stanza. In a copy of that collection he sent to Sarah Helen Whitman, Poe crossed out the word "Catholic."
And spared my children. [8] The last lines of the poem carry the irony, that is, the poet's mother expresses her gratitude to God for saving her children. According to scholar Pona Mohanta, "The concern of the villagers and the poet's father seem rather superficial when pitted against the heartfelt feelings of his mother."
Published in 1983, In Search of Our Mothers' Gardens: Womanist Prose is a collection composed of 36 separate pieces written by Alice Walker. The essays, articles, reviews, statements, and speeches were written between 1966 and 1982. [ 1 ]
The poem has a convenient form; ten lines in length with each line holding four stresses. It is almost like a confining grid, emphasizing the Old Mother's unbending existence. There is a clear rhyming scheme of couplets, with a nice half rhyme towards the end which rounds the poem off properly.