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Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
A china fairing is a small porcelain ornament, often incorporating figures, ranging from about three inches (7.5 cm) to about five inches (12.5 cm) in height, and depicting a variety of scenes, humorous, political or domestic. The ornament almost always incorporates a base and many fairings have a caption describing the scene or making some ...
Ornament in male clothing went out of fashion around 1800, in the Great Male Renunciation. Ornament in architecture and furniture resumed in the later 19th century Napoleon III style, Victorian decorative arts and their equivalents from other countries, to be decisively reduced by the Arts and Crafts movement and then Modernism.
The Staffordshire spaniel was the quintessential Victorian bourgeois status-symbol ornament: no mantelpiece was complete without a pair of spaniels standing guard. Staffordshire dogs were also placed on the window sill. Staffordshire dogs are nowadays collectors’ items. [11]
Representation of an ornamental hermit in Germany in the late 18th century. Garden hermits or ornamental hermits were people encouraged to live alone in purpose-built hermitages, follies, grottoes, or rockeries on the estates of wealthy landowners, primarily during the 18th century.
Ornaments are decorations added to an object, building, or structure, in any artistic or architectural style, including: Ceramics; Furniture; Glass; Leather; Printing see also: illuminated manuscripts; Textiles and Weaving; Wallpaper
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