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The term "script" pertains to the written text of a play. After the front matter , which includes the title and author, it usually begins with a dramatis personae : a list introducing the main characters of the play by name, accompanied by brief character descriptions (e.g., " Stephano , a drunken Butler").
Two widely used approaches are Drama in Education and TIE. [5] Drama in Education: In the school curriculum, this is both a method and a subject. As a curriculum subject, it uses various dramatic elements and acting out. In many high schools, drama is now a separate department. In some primary schools, it is used to teach a number of subjects.
Pages from the American actress Charlotte Cushman's prompt-book for a production of Hamlet at the Washington Theater, 1861. The prompt book, also called transcript, the bible or sometimes simply the book, is the copy of a production script that contains the information necessary to create a theatrical production from the ground up.
Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. [1] Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2]
Process drama in school settings usually involves the whole class working with the teacher in role in a made-up scenario. When they are working in process drama, the students and teachers work together to create an imaginary dramatic world within which issues are considered and problems can be solved.
The Roman drama critic Horace advocated a 5-act structure in his Ars Poetica: "Neue minor neu sit quinto productior actu fabula" (lines 189–190) ("A play should not be shorter or longer than five acts"). He also argued for a Chorus, "The Chorus should play an actor’s part, energetically," and the center of the play should be morality as ...
In 1949, a national readers theater tour by the First Drama Quartet—Charles Laughton, Agnes Moorehead, Charles Boyer, and Cedric Hardwicke [3] —appeared in 35 states, putting on 500 performances. Their presentation of Don Juan in Hell was seen by more than a half-million people. Columbia Masterworks recorded a performance, which was later ...
The oldest surviving example of the script begins with this paragraph on the frontispiece: Here begynneth a treatyſe how þ e hye Fader of Heuen ſendeth Dethe to ſomon euery creature to come and gyue a counte of they're lyues in this worlde, and is in maner of a morall playe.