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For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization. In classical music, a "pure" contralto is considered the rarest type of female voice. [3] In non-classical music, singers are primarily defined by their genre and their gender, not their vocal range. [4]
The mezzo-soprano is the middle female voice and the most common of the female singing voices, which tends to dominate in non-classical music, with vocal range that typically lies between the A below "middle C" (C 4) to the A two octaves above (i.e. A 3 –A 5).
A contralto (Italian pronunciation: [konˈtralto]) is a type of classical female singing voice whose vocal range is the lowest female voice type. [1]The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F 3 in scientific pitch notation) to the second F above middle C (F 5), although, at ...
Todaro grew up in the opera world. Her mother is Brazilian mezzo-soprano Maria-Helena de Oliveira. Todaro sang as a mezzo-soprano herself. She is married to baritone Louis Otey.
The new singers played instruments, including the lute, harp, and viol, [32] but focused their energies on developing vocal virtuosity. [33] This skill became highly prized in the mid-sixteenth century, beginning with basses like Brancaccio, but by the end of the century virtuosic bass singing went out of style, and higher voices came into ...
Her music career ended on December 6, 1937, after a performance on The Chevrolet Musical Moments Revue. [2] Hanshaw's singing style was relaxed and suited to the jazz-influenced pop music of the late 1920s and early 1930s. She combined the voice of an ingenue with the spirit of a flapper. She was known as The Personality Girl, and her trademark ...
The term baritone was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.
June Christy (born Shirley Luster; November 20, 1925 – June 21, 1990) [1] was an American singer, known for her work in the cool jazz genre and for her silky smooth vocals. Her success as a singer began with The Stan Kenton Orchestra. She pursued a solo career from 1954 and is best known for her debut album Something Cool. After her death ...