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The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [1] but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.
The compound may be more stable than metallic silver and may also have a different color or tone. Different toning processes give different colors to the final print. In some cases, the printer may choose to tone some parts of a print more than others. [1] Toner also can increase the range of shades visible in a print without reducing the contrast.
Monochrome printmaking is a generic term for any printmaking technique that produces only shades of a single color. While the term may include ordinary printing with only two colors — "ink" and "no ink" — it usually implies the ability to produce several intermediate colors between those two extremes.
Color positive picture (A) and negative (B), monochrome positive picture (C) and negative (D) In photography, a negative is an image, usually on a strip or sheet of transparent plastic film, in which the lightest areas of the photographed subject appear darkest and the darkest areas appear lightest. [1]
Besides adding colour to a monochromatic print, toning often improves image stability and increases contrast. Retouching uses many of the same tools and techniques as hand-colouring, but with the intent of covering damage, hiding unwanted features, accentuating details, or adding missing elements in a photographic print. In a portrait ...
Many image formats are native to one specific graphics application and are not offered as an export option in other software, due to proprietary considerations. An example of this is Adobe Photoshop 's native PSD-format (Prevention of Significant Deterioration), which cannot be opened in less sophisticated programs for image viewing or editing ...
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