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Video showing a pair of Aburukuwa drums being played. The Instruments of Ho-Asogli; Village Rainbows: Words from Africa - the "Home of All Mankind" Archived 2012-03-16 at the Wayback Machine - Containing photos of Aburukuwa and its sister drums. "Asante Kete Drumming: Music from Ghana" - Examples of Asante drumming.
Yacub Addy (April 15, 1931 [1] – December 18, 2014) [2] was a Ghanaian traditional drummer, composer, choreographer and educator who collaborated with many musicians in various genres, including Wynton Marsalis. [3] [4] He has been referred to as "the leading ambassador of Ghanaian music and culture". [5]
Drums and dance are often linked, and the tradition of royal talking drums fontomfrom (distinct from the northern talking drum) means music is widely used for communication of both tangible and esoteric topics. The most well known of southern Ghanaian drum traditions is the kete and adowa drum and bell ensembles.
Kpanlogo (pronounced "PAHN-loh-goh"), traditionally named Tswreshi or Treshi is a type of barrel drum that is associated with Kpanlogo music, and is usually played with two hands. The drum originates from the Ga people of the Greater Accra Region in Ghana, West Africa. Kpanlogo is the name of a rhythm played on the tswreshi.
Kpanlogo music uses three types of instruments: nono (metal bell), fao (gourd rattle), and kpanlogo drums. Nono plays the key pattern or timeline of the music, supported by the fao. It is common to have three kpanlogo drums in an ensemble, in the roles of "male voice", "female voice" and "master drum". Main kpanlogo bell pattern
Mustapha Tettey Addy's Obonu Drummers at Kokrobite. Mustapha Tettey Addy (born 1942 in Avenor, Accra, Ghana) is a Ghanaian master drummer and ethnomusicologist. [1 ...
Guy Warren of Ghana, also known as Kofi Ghanaba (4 May 1923 – 22 December 2008), was a Ghanaian musician, most notable as the inventor of Afro-jazz — "the reuniting of African-American jazz with its African roots" [1] — and as a member of The Tempos, alongside E. T. Mensah.
Woyaya is the second album by Ghanaian Afro-rock band Osibisa released in 1971 by MCA. It was reissued in 2004 in a two-CD pack together with the self-titled album Osibisa by BGO Records. Album title