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The Green Stripe (also known as The Green Line or Madame Matisse) is an oil painting from 1905 by French artist Henri Matisse of his wife, Amélie Noellie Matisse-Parayre. The title stems from the vertical green stripe down the middle of Madame Matisse's face, an artistic decision consistent with the techniques and values of Fauvism.
Seated Woman: 1908 Oil on canvas 80.5 × 52 cm Moscow Hermitage Museum: Portrait of Greta Moll: Portrait de Greta Moll: 1908 Oil on canvas 93 × 73.5 cm London: Tate Modern: Algerian Woman: L'Algérienne: 1909 Oil on canvas 81 × 650 cm Paris Musée National d'Art Moderne: Spanish Woman with a Tambourine: L'Espagnole: 1909 Oil on canvas: 92 x ...
Woman on a High Stool (French: Femme au tabouret or La femme assise) is an oil painting on canvas by the French artist Henri Matisse from early 1914. It is held in the Museum of Modern Art, in New York. It is a portrait of Germaine Raynal, the wife of the poet and art critic Maurice Raynal.
Woman with a Hat (French: La femme au chapeau) is an oil-on-canvas painting by Henri Matisse.It depicts Matisse's wife, Amélie Matisse. [1] It was painted in 1905 and exhibited at the Salon d'Automne during the autumn of the same year, along with works by André Derain, Maurice de Vlaminck and several other artists later known as "Fauves".
Henri Émile Benoît Matisse (French: [ɑ̃ʁi emil bənwa matis]; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship.
File:Henri Matisse, 1918, Portrait du peintre (Autoportrait, Self-portrait), oil on canvas, 65 x 54 cm, Matisse Museum (Le Cateau).jpg; File:Henri Matisse, 1919-21, Woman with a Red Umbrella Seated in Profile (Interior), oil on canvas, 81 x 65 cm, private collection.jpg
File: Henri Matisse, 1913, Portrait of the Artist's Wife, oil on canvas, 146 x 97.7 cm, Hermitage, Saint Petersburg.jpg
Matisse depicts his model and companion of many years, Lydia Delectorskaya, in an exotic Moroccan clothing, surrounded by a complex of abstract design and exotic color. [1] This is an example of one of the final groups of oil paintings in Matisse's career, in 1950 he stopped painting oil paintings in favor of creating paper cutouts.
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