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Five Points (or The Five Points) was a 19th-century neighborhood in Lower Manhattan, New York City.The neighborhood, partly built on low-lying land which had filled in the freshwater lake known as the Collect Pond, was generally defined as being bound by Centre Street to the west, the Bowery to the east, Canal Street to the north, and Park Row to the south.
The Five Points is an early 19th century oil painting by an unknown artist, in the collection of the Metropolitan Museum of Art in New York City. [1] It is a reproduction of an oil painting by George Catlin depicting the chaotic lifestyle of New York's Five Points district, a notorious slum on the Lower East Side.
The Old Brewery is depicted in the Martin Scorsese 2002 film Gangs of New York as the Five Points Christian Mission, tenement building, and pauper playhouse. The 2012 video game Assassin's Creed III has the "Boston Brawlers Tournament" in Boston, Massachusetts, within an old brewery modeled after the former Five Points building.
The pond occupied approximately 48 acres (190,000 m 2) and was as deep as 60 feet (18 m). [1] Fed by an underground spring, it was located in a valley, with Bayard Mount (at 110 feet or 34 metres the tallest hill in lower Manhattan) to the northeast and Kalck Hoek (Dutch for Chalk Point, named for the numerous oyster shell middens left by the indigenous Native American inhabitants) to the west.
5 Pointz: The Institute of Higher Burnin' [1] or 5Pointz Aerosol Art Center, Inc., mainly referred to as simply 5 Pointz or 5Pointz, was an American mural space at 45-46 Davis Street in Long Island City, Queens, New York City.
Before the park's establishment, Mulberry Bend was an alley Riis considered the "foul core of New York’s slums." [3] The Bend is the site of Riis's 1888 photograph, Bandits' Roost, 59 1/2 Mulberry Street. [4] [5] Photographer and social activist Jacob A. Riis, "friend of the tenement house children," [6] campaigned for the creation of the park.
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The New York City Landmarks Preservation Commission was created following the preservation fight and subsequent demolition of Pennsylvania Station. New York City's right to limit owners' ability to convert landmarked buildings was upheld by the U.S. Supreme Court in 1978.
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