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Henry Louis Gates Jr., in his essay "Writing 'Race' and the Difference It Makes", [4] uses Eliot's dissociation of sensibility in reference to the presence of race in literature. Gates thinks race has lost its voice in contemporary literature, and that modern critics do not see race as a factor of more than intrinsic value in literary theory.
The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.
In the earlier years of the 20th century rhymed lyric poetry, usually expressing the feelings of the poet, was the dominant poetic form in the United States, [27] Europe, and the British colonies. The English Georgian poets and their contemporaries such as A. E. Housman, Walter de la Mare, and Edmund Blunden used the lyric form.
Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work.
The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while tone is how the author feels about something.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Dramatic monologues are a way of expressing the views of a character and offering the audience greater insight into that character's feelings. Dramatic monologues can also be used in novels to tell stories, as in Mary Shelley 's Frankenstein , and to implicate the audience in moral judgements, as in Albert Camus ' The Fall and Mohsin Hamid 's ...
The psychological literature has distinguished between several different forms of ambivalence. [4] One, often called subjective ambivalence or felt ambivalence, represents the psychological experience of conflict (affective manifestation), mixed feelings, mixed reactions (cognitive manifestation), and indecision (behavioral manifestation) in the evaluation of some object.