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Minoan knowledge of the sea was continued by the Mycenaeans in their frequent use of marine forms as artistic motifs. The so-called Marine Style , inspired by frescoes, has the entire surface of a pot covered with sea creatures, octopus, fish and dolphins, against a background of rocks, seaweed and sponges. [ 99 ]
Kamares ware is a distinctive style of Minoan pottery produced by the Minoans in Crete. It is recognizable by its light-on-dark decoration, with white, red, and orange abstract motifs painted over a black background. A prestige style that required high level craftsmanship, it is suspected to have been used as elite tableware.
The motif is so widespread and visually effective that many depictions probably were conceived as decoration with only a vague meaning attached to them. [3] The Master of Animals is the "favorite motif of Achaemenian official seals ", but the figures in these cases should be understood as the king.
Minoan art is often described as having a fantastical or ecstatic quality, with figures rendered in a manner suggesting motion. Little is known about the structure of Minoan society. Minoan art contains no unambiguous depiction of a monarch, and textual evidence suggests they may have had some other form of governance.
Some authors just use the name "Mycenaean Koine"; that is, the Late Minoan pottery of Crete was to some degree just a variety of widespread Mycenaean forms. The designs are found also on seals and ceilings, in frescoes and on other artifacts. Often Late Minoan pottery is not easily placed in sub-periods.
It appears in pottery decoration and is a motif of the Shrine of the Double Axes at the palace, as well as of many shrines throughout Crete and the Aegean. And finally, it appears in Linear B on Knossos Tablet Gg702 as da-pu 2 -ri-to-jo po-ti-ni-ja, which probably represents the Mycenaean Greek, Daburinthoio potniai , "to the mistress of the ...
New discoveries including gold ornaments and fine pottery at an ancient port city in Cyprus dating back more than 3,000 years indicate that the settlement was one of the Mediterranean’s most ...
Nanno Marinatos has made the case that the rosette motif, which is a prominent feature of the Taureador paintings, reproduces the Knossian rosettes and that it is a distinct Minoan symbol. In regards to Egypt, the paintings reveal an international era of cultural interaction between Egypt and the eastern Mediterranean.