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Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Among actors, the roles of Othello, Iago, Desdemona, and Emilia (Iago's wife) are regarded as highly demanding and desirable. Critical attention has focused on the nature of the play's tragedy, its unusual mechanics , its treatment of race , and on the motivations of Iago and his relationship to Othello .
Roderigo, a wealthy Venetian, is manipulated into funding the antagonist Iago's plot against Othello in the hopeless belief that Iago will aid him in courting Othello's wife Desdemona. In the later acts, Iago recruits Roderigo to assassinate Othello's former lieutenant Michael Cassio, though he is killed by Iago when he fails in his attempt to ...
Iago's plot is revealed too late, and Othello commits suicide. Romeo and Juliet: 1595–1596, with a possible early draft written in 1591 [13] [14] First published in 1597 in Q1 [15] First performed sometime between 1591 and March 1597 [16] Summary In Verona, Italy, two families, the Montagues and the Capulets, are in the midst of a bloody feud.
Othello (left) and Iago (right) from Othello by William Shakespeare.Much of the tragedy of the play is brought about by advice Iago gives to Othello in bad faith. Bad faith (Latin: mala fides) is a sustained form of deception which consists of entertaining or pretending to entertain one set of feelings while acting as if influenced by another. [1]
For instance, the soul of Othello is hardly more distinct from that of Iago than that of Desdemona is shewn to be from AEmilia's; the ambition of Macbeth is as distinct from the ambition of Richard III. as it is from the meekness of Duncan; the real madness of Lear is as different from the feigned madness of Edgar as from the babbling of the ...
Othello (also known as The Tragedy of Othello: The Moor of Venice) is a 1951 tragedy directed and produced by Orson Welles, who also adapted the Shakespearean play and played the title role. Recipient of the Grand Prix du Festival International du Film (precursory name for the Palme d'Or [ 3 ] ) at the 1952 Cannes Film Festival , the film was ...