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In addition, South Asian art music (Hindustani and Carnatic music) is frequently cited as placing little emphasis on what is perceived in western practice as conventional harmony; the underlying harmonic foundation for most South Asian music is the drone, a held open fifth interval (or fourth interval) that does not alter in pitch throughout ...
Pitch is a perceptual property that allows sounds to be ordered on a frequency-related scale, [1] or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. [2] Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre ...
Transformational theory is a branch of music theory developed by David Lewin in the 1980s, and formally introduced in his 1987 work, Generalized Musical Intervals and Transformations. The theory, which models musical transformations as elements of a mathematical group , can be used to analyze both tonal and atonal music .
Notation indicating differing pitch, dynamics, articulation, and instrumentation. Music can be analysed by considering a variety of its elements, or parts (aspects, characteristics, features), individually or together. A commonly used list of the main elements includes pitch, timbre, texture, volume, duration, and form.
A theory of art is intended to contrast with a definition of art. Traditionally, definitions are composed of necessary and sufficient conditions, ...
Rhythm and atonal pitch-class theories [215] Victor Kofi Agawu: born 1956 Playing with signs (1991); African Rhythm, A Northern Ewe Perspective (1995) Musical semiotics and musical analysis [216] Timothy L. Jackson: born 1958 Schenkerian analysis [217] Miller Puckette: born 1959 The Theory and Technique of Electronic Music (2007) Max (software ...
In older theory texts this form is sometimes referred to as a "trill-tremolo" (see trill). A rapid, repeated alteration of volume (as on an electronic instrument); vibrato: an inaccurate usage, since vibrato is actually a slight undulation in a sustained pitch, rather than a repetition of the pitch, or variation in volume (see vibrato ...
The fundamental concept of musical set theory is the (musical) set, which is an unordered collection of pitch classes. [4] More exactly, a pitch-class set is a numerical representation consisting of distinct integers (i.e., without duplicates). [5]