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NGA further describes the painting, "The undulating ribbons of paint, applied in diagonal strokes, animate the canvas and play off the furled forms of flowers and leaves. Originally, the roses were pink—the color has faded—and would have created a contrast of complementary colors with the green."
She made about 200 paintings of flowers of the more than 2,000 paintings that she made over her career. [3] One of her paintings, Jimson Weed , sold for $44.4 million, making it the most expensive painting sold of a female artist's work as of 2014 [update] .
In 2014, O'Keeffe's 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000—at the time, by far the largest price paid for any painting by a female artist. [10] Her works are in the collections of several museums, and following her death, the Georgia O'Keeffe Museum was established in Santa Fe.
The subject of the painting is a vase of pink and white flowers on a wooden table with a few white petals falling onto the table. A pink cloth is draped over a table in the background. It is an oil on board painting using the style of dry painting with an impasto brush. It may have been painted in her lounge.
His use of bright color reflects this. There is an individual, and hence essential, character to his subject, a sprig of almond buds and opening blossoms. This still life resembles the Japanese art of flower arrangement, ikebana, in its simplicity and evoked hopefulness as well as in its formal use of empty space. [12]
O'Keeffe began painting the centres of flowers in 1924. [ 14 ] [ 15 ] The first show of her enlarged flowers was at the Anderson Galleries in 1926. [ 16 ] The black irises were a recurring subject: She painted another oil called The Black Iris (CR 558), also known as The Dark Iris No. II and Dark Iris , a small (9x7") oil in 1926. [ 17 ]
Her grandmothers, Isabella Totto and Catherine O'Keeffe, painted still lifes and flowers. [2] Her sisters, Catherine and Ida, made and sold their paintings and Anita, another sister, also painted. When she was eleven, art lessons were arranged for her and her younger sisters, Ida and Anita, at their home. [3]
Flowers were the subject of many of van Gogh's paintings in Paris, and one of his many interests due in great part to his regard for flowers. [2] As he said to his brothers Theo Van Gogh and Cor Van Gogh, "You will see that by making a habit of looking at Japanese pictures you will come to love to make up bouquets and do things with flowers all the more."
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