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Finkel was known as one of the world’s greatest xylophone virtuosos. [6] He was the musical director for Michael Feinstein. He also worked for Sid Caesar, Tito Puente, and Ginger Roberts. [7] He played with the New York Philharmonic and played with orchestras that accompanied Whitney Houston, Michael Jackson, and Diana Ross. [8]
George Hamilton Green with xylophone, c. 1918. George Hamilton Green Jr. (May 23, 1893 – September 11, 1970) was a xylophonist , composer, and cartoonist born in Omaha, Nebraska . He was born into a musical family, both his grandfather and his father being composers, arrangers, and conductors for bands in Omaha.
The xylophone (from Ancient Greek ξύλον (xúlon) 'wood' and φωνή (phōnḗ) 'sound, voice'; [1] [2] lit. ' sound of wood ' ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets .
Song Books (Solos for Voice 3–92) is a collection of short works by John Cage, composed and compiled by the composer in 1970.It contains pieces of four kinds: songs, songs with electronics, directions for a theatrical performance, and directions for a theatrical performance with electronics.
George Lawrence Stone was born in 1886. He was the son of drum teacher and manufacturer George Burt Stone.George Lawrence learned drums and xylophone from his father and also helped out in his shop, where the elder Stone tucked drumheads, turned drumsticks, made wooden foot pedals and sold violins.
This page was last edited on 7 December 2024, at 00:28 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
"Shape-note singers used tune books rather than hymnals. Hymnals were pocket-size books with texts only. Hymnals were pocket-size books with texts only. Tune books were large oblong-shaped books with hard covers (nine inches by six inches was a typical size), often running to over four hundred pages.
The work was composed at a time when fast dances such as the Galopp were popular in German light music, the xylophone was being rediscovered as an instrument, and Circus Renz was enjoying great popularity in Berlin. Thus, a number of Gustav Peter's contemporaries composed similar works, most of which, however, have been forgotten today. [5] [6] [7]
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