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The poem, which paints a rather sad picture of a decrepit woman's final days in care, has been quoted in various works written for and about the caring professions in order to highlight the importance of maintaining the dignity of the lives of elderly patients. It is also included in the Edexcel IGCSE English Literature poetry anthology.
The tone and language of the poem is influenced by William Bowles's poetry; it differs from 18th-century poetic conventions and connects the style of the poem to many of Coleridge's other poems of the time, including "To the Autumnal Moon", "Pain", "On Receiving an Account that his only Sister's Death was Inevitable" and "To the River Otter". [12]
I grew to care for the ones who visited my room: a red-headed old woman in a formal hospital gown like people hadn’t worn in 50 years and her husband, who wore a suit and who I thought must have died long after her but decided to come stay with her, and a young man, bookish, earnest, who trailed after them asking questions I could never quite ...
Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]
"Because I could not stop for Death" is a lyrical poem by Emily Dickinson first published posthumously in Poems: Series 1 in 1890. Dickinson's work was never authorized to be published, so it is unknown whether "Because I could not stop for Death" was completed or "abandoned". [1] The speaker of Dickinson's poem meets personified Death. Death ...
Like his earlier poem The Eolian Harp, it discusses Coleridge's understanding of nature and his married life, which was suffering from problems that developed after the previous poem. Overall, the poem focuses on humanity's relationship with nature in its various aspects, ranging from experiencing an Edenic state to having to abandon a unity ...
In other words, the verb tenses and tone suggest the speaker is slowly accepting her decision through the poem, rather than actively making the choice. M.D. Uroff agrees, seeing the end of the poem as a tentative return to health, but also views the poem as an expression of the mind's ability to “generate hyperboles to torture itself.”
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