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A jib can be used for getting high or low shots which are difficult for a hand-held camera operator to get, or shots which need to move a short distance horizontally or vertically, without the expense and safety issues of putting a camera operator on a crane for a crane shot or laying track for a camera dolly. A jib can even be mounted on a ...
In filmmaking and video production, a crane shot is a shot taken by a camera on a moving crane or jib. Filmmaker D. W. Griffith created the first crane for his 1916 epic film Intolerance , with famed special effects pioneer Eiji Tsuburaya later constructing the first iron camera crane which is still adapted worldwide today.
Usually jib arms are attached to a vertical mast or tower or sometimes to an inclined boom. In other jib-less designs such as derricks, the load is hung directly from a boom which is often anomalously called a jib. A camera jib or jib arm in cinematography is a small crane that holds nothing but the camera. [4]
Because of their flexibility and their ability to create dynamic moving camera shots or angles remote heads have become common on camera cranes., [1] or jibs, as well as other modern film and television technology such as cable-suspended camera systems, rail camera systems and underwater camera systems.
Technocrane is a telescopic camera crane widely utilised in the film industry and in television production. Originally commissioned, manufactured, named and marketed by Technovision Ltd. in London , United Kingdom , the first TechnoCrane was exhibited by Technovision during Photokina Expo in Cologne , Germany in September 1986.
The camera could be mounted on a crane, a counterweighted arm that could move the camera vertically and horizontally. The camera operator shot hand-held which would produce footage suitable mostly for reportage used in documentaries , news , or live action; for unrehearsed or practice footage; or for the evocation of authentic immediacy—e.g ...
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Advantages include reducing or eliminating the need for crane shots, using camera cranes or jibs that might obstruct spectator sight lines or take up valuable space or interfere with a shot. Commercial 3D moving-cable type cable-suspended camera systems include: EagleEye, Spydercam, SkyCam, Spidercam, and RobyCam 3D. [8]
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