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A house for sale by its owner. For sale by owner (FSBO) is the process of selling real estate without the representation of a broker or agent. This is where the homeowner sells directly to a new homeowner. Homeowners may still employ the services of marketing, online listing companies, but can also market their own property.
The Ionian and Hellespontine artists maintained a ruler cult for the Attalid dynasty: the organiser of their Dionysia festival was ex officio priest of the Attalid kings. [30] [29] Paola Ceccarelli proposes that the Athenian branch was founded by King Demetrius Poliorcetes, who was venerated at Athens as the "New Dionysus" after 306 BC. [31]
The Dionysia (/ ˌ d aɪ. ə ˈ n ɪ z i. ə, ˌ d aɪ. ə ˈ n ɪ ʃ i. ə, ˌ d aɪ. ə ˈ n ɪ ʃ ə /; [1] [2] Greek: Διονύσια) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies.
The Derveni krater, height: 90.5 cm (35 ½ in.), 4th century BC. The Dionysian Mysteries of mainland Greece and the Roman Empire are thought to have evolved from a more primitive initiatory cult of unknown origin (perhaps Thracian or Phrygian) which had spread throughout the Mediterranean region by the start of the Classical Greek period.
owner of Latsco Shipping, major real estate investments with GEK Terna: 12: 2153: Athanasios Martinos & Family Greece: $1.5 billion: owner of Greek shipping firm Eastern Mediterranean Maritime 13: 2395: Ioannis Papalekas Greece: $1.3 billion: Greek real estate investor and the largest shareholder Yoda Group 14: 2542: Diamantis Diamantides ...
Relief of seated Dionysus and satyr; inscription beneath is a decree by the deme Aixone honoring the choregoi Auteas and Philoxenides (313–312 BC). In the theatre of ancient Greece, the choregos (pl. choregoi'; Greek: χορηγός, Greek etymology: χορός "chorus" + ἡγεῖσθαι "to lead") [n 1] was a wealthy Athenian citizen who assumed the public duty, or choregiai, of ...
In ancient Greece, an ekklesiasterion was a building specifically built for the purpose of holding the supreme meetings of the ecclesia. Like many other cities, Athens did not have an ekklesiasterion.
The first orchestra terrace was constructed on the site around the mid- to late-sixth century BC, where it hosted the City Dionysia. The theatre reached its fullest extent in the fourth century BC under the epistates of Lycurgus when it would have had a capacity of up to 25,000, [3] and was in continuous use down to the Roman period.