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TODAY.com spoke with trainers and other fitness connoisseurs and asked them to share their favorite workout songs. Below is a list of 50 of their top 50 picks, plus a few freebies for fun.
"Ass Back Home" (edited version titled as "Get Yourself Back Home") is a song by American group Gym Class Heroes featuring British singer-songwriter Neon Hitch. The song was first released on October 31, 2011, [ 2 ] as the second single from the group's fifth studio album, The Papercut Chronicles II .
It should only contain pages that are Gym Class Heroes songs or lists of Gym Class Heroes songs, as well as subcategories containing those things (themselves set categories). Topics about Gym Class Heroes songs in general should be placed in relevant topic categories .
"Take Me" is a song by Dutch disc jockey and producer Tiësto with vocals from singer Kyler England. It was released on 14 May 2013 in the Netherlands. It is the second single from the Tiësto mixed compilation Club Life, Vol. 3 - Stockholm. The song is included in the deluxe version of the album A Town Called Paradise.
Swift wrote and recorded all 16 songs (plus a bonus track!) in isolation like a true quarantine champ, and she didn’t think there was a better time to release it than right now.
"The Fighter" is a song by American rap rock band Gym Class Heroes, from their fifth studio album The Papercut Chronicles II. The song features vocals from American singer-songwriter and record producer Ryan Tedder of the band OneRepublic, and was released as the third and final single from the album on November 8, 2011. [1]
"Chicken Fat" was the theme song for President John F. Kennedy's youth fitness program, and millions of 7-inch 33 RPM discs which were pressed for free by Capitol Records were heard in elementary, junior high school and high school gymnasiums across the United States throughout the 1960s and 1970s. [2]
"Motivation" is an R&B slow jam and electropop song written by Richard Butler (Rico Love), Jim Jonsin, Dwayne Carter and Danny Morris. [5] [8] The racy lyrics center around Rowland asking her man to use his hands all over her body, and are accompanied by a "synth-saturated beat" produced by Jonsin. [5]