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Furthermore, many of the rhythmic patterns of the traditional mazurka also appear in Chopin's compositions so they still convey the idea of a dance, but a more "self-contained, stylized dance piece." [ 4 ] In keeping with this idea, Chopin did try to make his mazurkas more technically interesting by furthering their chromaticism and harmony ...
The first few bars of Mazurka, Op. 6 No. 1. The first mazurka of the set is a lively piece that makes use Polish folk rhythms and modes. The main theme, which revolves around triplets and brings heavy accents on the third beat of each bar, is quite melancholy, yet elegant in character.
The final Mazurka of the set is more characteristic and free than the others. Although it remains in the very homophonic texture, the dynamic variation is much greater. The piece ends with the same four measures as it began, with no pedal, the chords played by the left hand portamento, the tone and time fading away in a perdendosi.
First few bars of Mazurka, Op. 7 No. 2. The second mazurka of the set, A minor is an intimate piece. Despite the Vivo, ma non troppo marking, the mazurka has a slow tempo with a very delicate and melancholy main theme. Its gentle sadness is reflective of Chopin's longing for his family and homeland, from which he was exiled around the same time ...
Mazurka in A-flat major is the second and shortest of the Op. 59 mazurkas, with a typical performance lasting around 2 and a half minutes. The piece begins with a memorable main theme that Chopin varies from time to time to maintain the piece's interest. The trio section of the piece is very similar to the main theme, providing little contrast. [2]
The final mazurka of the Op. 63 set is a true kujawiak, a national polish dance slightly slower than a mazurka. Written in the key of C-sharp minor, it is songful in character with an innocent and expressive melody as the main theme. This is followed by a short section marked sotto voce which invokes the seemingly forgotten mazurka spirit.
Mazurka in B minor, Op. 33, No. 4, the final mazurka of the set, is one of the longest mazurkas at nearly 5 minutes in length. The piece is written in an ABABCA structure, similar to a rondo form. The piece begins with a captivating main melody, decorated with grace notes and trills. This melody is repeated a total of eight times throughout the ...
Mazurkas, Op. 41 is a set of four mazurkas for piano by Frédéric Chopin, composed and published between 1838 and 1839. A typical performance of the set lasts about nine and a half minutes. [1] The set is dedicated to Chopin's friend Stefan Witwicki, a minor poet, ten of whose poems Chopin set to music as songs.