Search results
Results from the WOW.Com Content Network
The Veiled Rebecca is an example of the neoclassical naturalist style, popular during the 19th century. [13] The Veiled Lady, or Rebecca shows how Antonio Canova's and other Neoclassical sculptors' work had an influence on Benzoni as well as how well-versed he was in earlier eighteenth-century sculptural style. As Boström noted, veiled figures ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Giovanni Maria Benzoni (28 August 1809 – 28 April 1873) was an Italian neoclassical sculptor.He was trained in Rome, where he later set up his own workshop. Benzoni designed some of his sculptures with a production line in mind using other sculptors to produce the works in order to satisfy a growing demand for people on the Grand Tour who wanted cultural mementos to take back home.
Veiled Rebecca; Venus Felix (sculpture) ... Vestal Virgin Tuccia (Corradini sculpture) This page was last edited on 18 August 2022, at 22:26 (UTC). ...
The Veiled Virgin is a Carrara marble statue carved in Rome by Italian sculptor Giovanni Strazza (1818–1875) [2] depicting the bust of a veiled Virgin Mary. [3] The exact date of the statue's completion is unknown, but it was probably in the early 1850s. [4] The veil gives the appearance of being translucent, but is carved of marble.
He also traveled to Rome, where he purchased a marble statue called Veiled Rebecca. [17] The Salar Jung family had a history of collecting art, and eventually the collections of Salar Jung I, II and III all ended up in the Salar Jung Museum. [18] European art from British, French and Italian artists are displayed.
Full Measures by Rebecca Yarros (2014) Series it belongs in: Flight & Glory #1. Average Goodreads rating: 4.15. A standout reader review: “I have yet to be disappointed with a Rebecca Yarros ...
A similar contrapposto stance, twisted upper torso, and a long contour-hugging veil characterize the sculpture. [15] In the mid-19th century, there was a resurgence in popularity of the veiled woman motif after the example of Corradini partially due to the image of a veiled woman becoming an allegory for Italian unification. [16]