Search results
Results from the WOW.Com Content Network
Michael Pacher (c. 1435 – 1498) was a painter and sculptor from Tyrol active during the second half of the fifteenth century. He was one of the earliest artists to introduce the principles of Renaissance painting into Germany. Pacher was a comprehensive artist with a broad range of sculpting, painting, and architecture skills producing works ...
Saint Peter's status as a major martyr is not only because he was the "first vicar of Christ", but also because he was, like Christ, crucified. Although his final request is not mentioned in the canonical New Testament, it was popularly believed (due to the apocryphal text known as the Acts of Peter ) that he demanded: "Crucify me head ...
The figure of Christ is in the top left corner of the fresco. He is making a dramatic entrance into the scene, surrounded by a halo of light and a security detail of heavenly hosts. Some of these angels look on in awe and shock at the event occurring, while others act as a protective barrier between those things that are heavenly and divine and ...
The painting, together with a Crucifixion of Saint Peter, was commissioned by Monsignor (later Cardinal) Tiberio Cerasi, Treasurer-General to Pope Clement VIII, in September 1600. According to Caravaggio's early biographer Giovanni Baglione , both paintings were rejected by Cerasi, and replaced by the second versions which hang in the chapel today.
Pope Benedict XV appointed Pacelli as nuncio to Bavaria on 23 April 1917, consecrating him as titular Archbishop of Sardis in the Sistine Chapel on 13 May 1917, the same day as the first apparition of the Blessed Virgin Mary in Fatima, Portugal. After his consecration, Eugenio Pacelli left for Bavaria.
An example of the interaction of Marian art, culture and churches is Salus Populi Romani, a key Marian icon in Rome at Santa Maria Maggiore, the earliest Marian church in Rome. The practice of crowning the images of Mary started at Santa Maria Maggiore in Rome by Pope Clement VIII in the 17th century. [12]
The total compensation for the paintings was reduced to 300 scudi for unknown reasons. [6] The paintings were finally installed in the chapel on 1 May 1605 by the woodworker Bartolomeo who received four scudi and fifty baiocchi from the Ospedale for his work. [7] The first version. Giovanni Baglione's Life of Michelagnolo da Caravaggio ...
Massimo Giacometti, The Sistine Chapel, a collection of essays on aspects of the chapel, its decoration and the restoration of Michelangelo's frescoes, by Carlo Pietrangeli, André Chastel, John Shearman, John O'Malley S.J., Pierluigi de Vecchi, Michael Hirst, Fabrizio Mancinelli, Gianluigi Colallucci, and Franco Bernabei. 1984, Harmony Books ...