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Om Jai Jagdish Hare (Hindi: ॐ जय जगदीश हरे) is a Hindu religious song written by Shardha Ram Phillauri. [1] It is a Hindi -language composition dedicated to the deity Vishnu , popularly sung during the ritual of arti .
Arti plate. Arti (Hindi: आरती, romanized: Āratī) or Aarati (Sanskrit: आरात्रिक, romanized: Ārātrika) [1] [2] is a Hindu ritual employed in worship, part of a puja, in which light from a flame (fuelled by camphor, ghee, or oil) is ritually waved to venerate deities.
"Jai Jai Laxmi Maata" Anil–Arun B. D. Mishra solo "Bhagwan Samaye Sansar Mein" Mukesh "Hota Hain Anyay Yahaan" Mahendra Kapoor Jaaneman "Aayegi Aayegi Aayegi, Kisi Ko Hamari Yaad Aayegi" (version 2) Laxmikant–Pyarelal Anand Bakshi solo "Siyavar Ramchandra Ki Jai" Vinod Sharma, Anand Kunar C., Manna Dey Kalicharan "Ek Batta Do, Do Batte Chaar"
Jai Hanumaan(1973 film) Narayan Datta Asha Bhosle & Mahendra Kapoor: Hindi: Basant (raga) Basant Hai Aayaa Rangeela Stree (1961 film) C. Ramchandra: Asha Bhosle & Mahendra Kapoor: Hindi: Basant (raga) Ketaki Gulab Juhi Champaka Bana Phule Basant Bahar (film) Shankar–Jaikishan: Bhimsen Joshi: Hindi: Basant (raga) (Blend of Shuddha Vasant ...
Devotees regard each of the Ashta Lakshmi to represent an attribute of Lakshmi, gaining the favour of the goddess with the chanting of each stanza of the prayer. The eight aspects of Lakshmi that are venerated by the mantra are: [4] [5] [6] Adi Lakshmi (lit. ' primeval Lakshmi ') Dhanya Lakshmi (lit. ' grain Lakshmi ') Dhairya Lakshmi (lit.
Om Namo Bhagavate Vāsudevaya in Devanagari. Om Namo Bhagavate Vāsudevāya (Sanskrit: ॐ नमो भगवते वासुदेवाय, lit. 'I bow to God Vāsudeva'; listen ⓘ) is one of the most popular mantras in Hinduism and, according to the Bhagavata tradition, the most important mantra in Vaishnavism. [1]
The elephants are symbolic of royalty and, in Hindu mythology, are also related with cloud and rain; they thus reinforce Shri-Lakshmi's stature as the goddess of abundance and fertility. [ 7 ] Later Hindu iconography often represents Shri-Lakshmi in the form of Gaja-Lakshmi , standing on a lotus, flanked by two elephants that are shown ...
It was the wife of Vijay Sharma, the director of Jai Santoshi Maa, who urged her husband to "spread the goddess's message". [ 3 ] [ 4 ] As her film brought her to life, Santoshi Ma quickly became one of the most important and widely worshiped goddesses in India, taking her place in poster-art form in the altar rooms of millions of Hindu homes.