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In John's revelation the first horseman rides a white horse, carries a bow, and is given a crown as a figure of conquest, [2] [3] perhaps invoking pestilence, or the Antichrist. The second carries a sword and rides a red horse as the creator of (civil) war, conflict, and strife. [4] The third, a food merchant, rides a black horse symbolizing ...
The Lamb opening the book/scroll with seven seals. The Seven Seals of God from the Bible's Book of Revelation are the seven symbolic seals (Greek: σφραγῖδα, sphragida) that secure the book or scroll that John of Patmos saw in an apocalyptic vision.
Pages in category "Paintings based on the Book of Revelation" The following 17 pages are in this category, out of 17 total. ... Death on the Pale Horse; F. The Fall ...
The third seal is broken and the third of the four living creatures introduces a black horse, whose rider carries a pair of scales, which represent famine. The fourth seal is broken and the fourth of the four living creatures introduces a pale horse, whose rider has the name Death and Hades follows him. He is given authority to kill with wars ...
Third Seal: A black horse appears, whose rider has "a pair of balances in his hand", where a voice then says, "A measure of wheat for a penny, and three measures of barley for a penny; and [see] thou hurt not the oil and the wine." (6:5–6) Fourth Seal: A pale horse appears, whose rider is Death, and Hades follows him. Death is granted a ...
In Revelation 9:11, Abaddon is described as "Destroyer", [8] the angel of the Abyss, [8] and as the king of a plague of locusts resembling horses with crowned human faces, women's hair, lions' teeth, wings, iron breast-plates, and a tail with a scorpion's stinger that torments for five months anyone who does not have the seal of God on their ...
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Some of the language used in Revelation 1 is also used in Revelation 19 to describe the Rider on the White Horse. In both places, he has a sword coming out of his mouth (1:16 and 19:15) and has "eyes like blazing fire" (1:14 and 19:12). The sword proceeding from Jesus’ mouth describes the counterintuitive way God's messiah conquers: by the ...