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  2. Lesson No. 1 - Wikipedia

    en.wikipedia.org/wiki/Lesson_No._1

    "Lesson No. 1 for Electric Guitar" was inspired by the work of composer Steve Reich. [ 11 ] [ 14 ] It opens with two-note guitar figures similar to Reich's experiments with phasing . [ 11 ] It introduces one-note parts on the organ and bass that gives the sense of harmonic progression , [ 15 ] and drums enter the arrangement three minutes into ...

  3. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  4. Opposites Attract - Wikipedia

    en.wikipedia.org/wiki/Opposites_Attract

    "Opposites Attract" is a song by American singer Paula Abdul from her debut album, Forever Your Girl (1988). It was written and produced by Oliver Leiber. It was written and produced by Oliver Leiber.

  5. Ultimate Guitar - Wikipedia

    en.wikipedia.org/wiki/Ultimate_Guitar

    Users of Ultimate Guitar are able to view, request, vote and comment on tablatures in the site's forum. Guitar Pro and Power Tab files can be run through programs in order to play the tablature. Members can also submit album, multimedia and gear reviews, as well as guitar lessons and news articles. Approved works are published on the website.

  6. Relational dialectics - Wikipedia

    en.wikipedia.org/wiki/Relational_dialectics

    Yin and yang. Relational dialectics is the emotional and value-based version of the philosophical dialectic.It is rooted in the dynamism of the yin and yang.Like the classic yin and yang, the balance of emotional values in a relationship is constantly in motion, and any value pushed to its extreme, contains the seed of its opposite.

  7. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    Therefore, a seven-note diatonic scale allows seven basic diatonic triads, each degree of the scale becoming the root of its own chord. [1] A chord built upon the note E is an E chord of some type (major, minor, diminished, etc.) Chords in a progression may also have more than three notes, such as in the case of a seventh chord (V 7 is ...

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