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The interior is dominated by a central staircase and the building contains original woodwork. Painting restoration efforts in the early 2000s reflected the initial wall colors of the 1920s. It once contained a jail on the attic floor from which several escapes were attempted, some successful.
Built in 1898–1901, [8] the building houses a museum focusing on Horta's life and is among the few buildings by the architect that are open to the public. [ 5 ] Among the notable surviving examples of Horta's Art Nouveau architecture in Belgium that are not included in the UNESCO listing are the Hôtel Max Hallet (1903–1906) [ 10 ] and the ...
In the center of the facade, at a lower height than the right block but standing ahead of it, is the portion of the building housing the staircase, expressed by its large windows. Behind the stairway on the ground floor was the vestibule, leading to the dining room/smoking room and salon. Madame Majorelle on the southwest corner.
Model of the Dom-Ino House Full Dom-Ino house constructed for the 2014 Venice Biennale of Architecture. This model proposed an open floor plan consisting of concrete slabs supported by a minimal number of thin, reinforced concrete columns around the edges, with a stairway providing access to each level on one side of the floor plan.
The American Foursquare or "Prairie Box" was a post-Victorian style, which shared many features with the Prairie architecture pioneered by Frank Lloyd Wright.. During the early 1900s and 1910s, Wright even designed his own variations on the Foursquare, including the Robert M. Lamp House, "A Fireproof House for $5000", and several two-story models for American System-Built Homes.
The Miles Brewton House is a National Historic Landmark residential complex located in Charleston, South Carolina. It is one of the finest examples of a double house (a reference to the arrangement of four main rooms per floor, separated by a central stair hall) in Charleston, designed on principles articulated by Andrea Palladio .
The interior is similarly notable as it features Horta's innovative open floor plan and use of natural light. Rooms in the town house were built around a central hall, which was fairly groundbreaking at the time. Materials used on the inside are purposefully visible and conform to the Art Nouveau style by being modelled after organic forms.
On the right wall is a granite step leading up to the house's main entrance, which is through a set of glass double doors. The porte-cochère has a painted plaster ceiling. At the end of the porte-cochère are two bollards under a segmental arch, [22] which in turn leads to the interior courtyard. [10] [16]
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