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Her life-size driftwood horses became her hallmark and in 1999 were featured in the Shape of the Century 100 Years of Sculpture in Britain at Salisbury Cathedral. [9] The exhibition was then taken to London's Canary Wharf as part of the millennium celebrations in 2000 where her horses caught the attention of Tim Smit , founder of the Eden ...
Butterfield has said, "I first used the horse images as a metaphorical substitute for myself – it was a way of doing a self-portrait one step removed from the specificity of Deborah Butterfield." [7] She also said, "These first horses were huge plaster mares whose presence was extremely gentle calm. They were at rest, and in complete ...
In December 2007, the sale of the Guennol Lioness, a statue from around 3000 BC, nearly doubled the previous record price when it sold for $57.2 million. It is the fifth-most valuable sculpture to date (2018) and the most valuable piece from antiquity. [6]
Pages in category "Sculptures of horses" The following 54 pages are in this category, out of 54 total. This list may not reflect recent changes. A. Amphitrite Fountain;
The sculpture is titled Business Man on Horse. [24] The sculpture does not portray a specific individual. — Yorkton, Saskatchewan: 2010 Lionel Peyachew Located on the grounds of Painted Hand Casino. The sculpture is titled Counting Coup, named after a practice with warriors of the First Nations of the Canadian Prairies. [25] The sculpture ...
Driftwood made a name for himself in the late 1930s as a rodeo horse, when he was known as '"Speedy". [1] He was owned by a man named Asbury Schell, who calf roped, team tied, steer roped and bulldogged off the stallion he called Speedy, as well as occasionally stock saddle races.
Breceda's sculptures were featured in a list of the 11 best art spots in Southern California outside of Los Angeles written by Priscilla Frank for The Huffington Post. [8] The Anza-Borrego Desert was named as The San Diego Union-Tribune ' s fifth favorite state park, and used a picture of Breceda's serpent sculpture. [ 9 ]
Head of the horse of Selene, which inspired Fiddian-Green, with the Elgin Marbles in the British Museum. Born in Ireland, [3] Fiddian-Green was educated at Eton College.Later, as a foundation-course student at Chelsea College of Arts he was sent on a visit to the British Museum to seek inspiration, [2] and chanced upon a carving of horse's head, the horse of Selene, [4] in the Elgin Marbles ...
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