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The presence of music criticism continued to grow, and by the 20th century numerous major newspapers had joined The Morning Post and Times in establishing permanent music critic posts, including The Daily Telegraph, The Guardian, The Observer and The Sunday Times in Britain, and the Chicago Tribune, New York Herald Tribune and The New York ...
Allan Kozinn (born July 28, 1954) [1] is an American journalist, music critic, and teacher. Kozinn received bachelor's degrees in music and journalism from Syracuse University in 1976. [2] He began freelancing as a critic and music feature writer for The New York Times in 1977, and joined the paper's staff in 1991. [3]
Rothstein was the cultural critic-at-large for The New York Times, [3] particularly examining the reach and depth of museums, large and small, one by one. He has worked as a music critic for The New Republic and as the chief music critic for the Times. He worked briefly as an editor at Macmillan's Free Press in the mid-1980s.
In 1955, he became the chief music critic at the Times, replacing Olin Downes upon Downes' death. Also in the 1950s, Taubman acted as the ghostwriter of Marian Anderson's autobiography My Lord, What a Morning. In 1960, he took the post of chief drama critic for the Times after Brooks Atkinson retired from that position. Taubman remained in that ...
Anthony Carl Tommasini (born April 14, 1948) is an American music critic and author who specializes in classical music. [1] Described as "a discerning critic, whose taste, knowledge and judgment have made him a must-read", [2] Tommasini was the chief classical music critic for The New York Times from 2000 to 2021.
You can use your Los Angeles Public Library card to get free access to the New York Times, the Wall Street Journal, the Economist and more.
Harold Charles Schonberg (29 November 1915 – 26 July 2003) was an American music critic and author. He is best known for his contributions in The New York Times, where he was chief music critic from 1960 to 1980. In 1971, he became the first music critic to win the Pulitzer Prize for Criticism.
Anne Midgette (born June 22, 1965) is an American music critic who was the first woman to write classical music criticism regularly for The New York Times. [1] She was the chief classical music critic of The Washington Post from 2008 to 2019, prior to which she wrote for The New York Times from 2001 to 2007.