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This article covers the architecture of Sweden from a historical perspective. As is the norm in the history of architecture, the architectural history of a nation naturally lends itself to the history of its monuments, and to the development of that nation's institutions of power: palaces, castles, and churches. This also applies in the case of ...
The National Romantic style spread across Denmark, Norway, Sweden, Finland, Estonia, and Latvia, as well as Russia, where it also appeared as Russian Revival architecture. Unlike some nostalgic Gothic Revival style architecture in some countries, Romantic architecture often expressed progressive social and political ideals, through reformed ...
The International Style is a major architectural style and movement that began in western Europe in the 1920s and dominated modern architecture until the 1970s. [1] [2] It is defined by strict adherence to functional and utilitarian designs and construction methods, typically expressed through minimalism.
Modernist architecture in Sweden (2 C, 20 P) Pages in category "Modernist architecture in Scandinavia" The following 3 pages are in this category, out of 3 total.
The foremost sources of inspiration for the Dragestil style were the Viking and medieval art and architecture of Scandinavia. It had roots in the preservation of stave churches and the recent excavation of historic relics such as the Tune, Gokstad and Oseberg ships.
Architecture in Scandinavia — in Denmark, Finland, Iceland, Norway, and Sweden. Subcategories This category has the following 8 subcategories, out of 8 total.
The Brooklyn Museum's 1954 "Design in Scandinavia" exhibition launched "Scandinavian Modern" furniture on the American market. [1]Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sweden, and Iceland.
The importance of the Olympic Games for architecture was that it coupled the modern, white Functionalist architecture with modernisation of the nation, giving it public endorsement; indeed the general public could contribute to the funding of the stadium's construction by purchasing various souvenir trinkets. [55]