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Metal artefacts share the same geometric designs that are used in other forms of Islamic art. However, in the view of Hamilton Gibb , the emphasis differs: geometric patterns tend to be used for borders, and if they are in the main decorative area they are most often used in combination with other motifs such as floral designs, arabesques ...
Calligraphic design is omnipresent in Islamic art, where, as in Europe in the Middle Ages, religious exhortations, including Qur'anic verses, may be included in secular objects, especially coins, tiles and metalwork, and most painted miniatures include some script, as do many buildings.
The art of decoration is a fundamental element of identity in the region of Asir. Al-Qatt Al-Asiri, an inscribed artwork on UNESCO's Intangible Cultural Heritage of Humanity, is an ancient art form popular in Asir region where the white interior walls of homes are painted with various patterns of symbols and geometric shapes. [4]
The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, as can arabesques, with which they are often combined, to form intricate and complex patterns, including a wide variety of tessellations. These may constitute the entire decoration, may form a framework ...
Sotheby’s inaugural auction in Saudi Arabia — and the country’s first major international art and luxury auction — topped $17 million in sale, with works by Arab artists setting records.
Calligraphy was a valued art form, and was regarded as both an aesthetic and moral pursuit. An ancient Arabic proverb illustrates this point by emphatically stating that "Purity of writing is purity of the soul." [6] Beyond religious contexts, Islamic calligraphy is widely used in secular art, architecture, and decoration. [7]
In similar fashion, proposed connections between the arabesque and Arabic knowledge of geometry remains a subject of debate; not all art historians are persuaded that such knowledge had reached, or was needed by, those creating arabesque designs, although in certain cases there is evidence that such a connection did exist. [5]
The Arabic Kufic script was often imitated in the West during the Middle-Ages and the Renaissance, to produce what is known as pseudo-Kufic: "Imitations of Arabic in European art are often described as pseudo-Kufic, borrowing the term for an Arabic script that emphasizes straight and angular strokes, and is most commonly used in Islamic ...