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Grebo (or grebo rock) [1] was a short-lived subculture [2] and broadly-defined subgenre of indie rock centred around the Midlands, particularly Stourbridge and Leicester. Musically, the genre incorporated elements of electronic , punk rock , folk and hip hop music into indie rock.
Gaye Bykers on Acid (GBOA) are an English psychedelic rock band from Leicester, and one of the founder members of the grebo music scene. They later released both thrash punk and dance music albums under various aliases.
Seven of the songs on the album were also featured in an accompanying film, also called Drill Your Own Hole, that the band released alongside the album. The film was a parody of themselves and the music industry. The music on the album displays the band's "mish-mash" of influences and styles and has become regarded as one of the first grebo albums.
Pages in category "Grebo (music) albums" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. D. Doubt (album) L.
Initially known as a grebo act, they changed style to incorporate sample-driven indie and industrial rock. [1] [2] Graham Crabb describes their sound as "electronic, punk, alternative hip-hop, hybrid music for fucking, fighting & smoking cigars". Their highest-charting single was the 1993 top-ten hit "Get the Girl!
Poppiecock is the second EP by British grebo band Pop Will Eat Itself, released in the same year as the previous, The Poppies Say GRRrrr!.The musical style remains similar to that of the first EP, with short distorted-guitar-driven tracks with simple melodies and rhythms.
The Poppies Say GRRrrr! is the first release by British grebo band Pop Will Eat Itself.It was originally released on 7" vinyl in a brown paper bag, of which only 500 copies were produced for sale at a concert, [1] however, it was later repressed onto a 7" vinyl with an orange printed sleeve.
The Stourbridge-based Pop Will Eat Itself started in 1986 as a Buzzcocks-influenced indie rock band. [6] Though initially associated with the C86 scene, their rougher, rockier sound led to them being championed by the music press as one of several grebo bands that were emerging from Midlands, with the word "grebo" itself having been revived by the band.