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The individual rhythmical patterns used in Greek and Latin poetry are also known as "metres" (US "meters"). Greek poetry developed first, starting as early as the 8th century BC with the epic poems of Homer and didactic poems of Hesiod, which were composed in the dactylic hexameter. A variety of other metres were used for lyric poetry and for ...
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
Note grouping. A=Arsis, T=Thesis. [1] Play ⓘ Binary and ternary rhythms and meter are said to originate in human movement. [1] Inh.=Inhalation, Exh.=Exhalation. In music and prosody, arsis (/ ˈ ɑːr s ɪ s /; plural arses, / ˈ ɑːr s iː z /) and thesis (/ ˈ θ iː s ɪ s /; plural theses, / ˈ θ iː s iː z /) [2] are respectively the stronger and weaker parts of a musical measure or ...
Cadence: the patterning of rhythm in poetry, or natural speech, without a distinct meter; Catalexis: shortening of a line by one element (adjective: catalectic) Acatalexis: the opposite of catalexis; Acephalous line: a line lacking the first element; Line: a unit into which a poem is divided
There are two main divisions within the meters of ancient Greek poetry: lyric and non-lyric meters. "Lyric meters (literally, meters sung to a lyre) are usually less regular than non-lyric meters. The lines are made up of feet of different kinds, and can be of varying lengths.
In the Greek scheme Thesis was the dominant part of the meter, but the Romans applied the terms to the voice rather than to the feet, so that Arsis came to signify the lifting of the voice and thus the dominant part of the meter (William W. Goodwin, Greek Grammar, MacMillan Education (1894), page 348). This caused confusion, as some authors ...
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition–Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
Metre is related to and distinguished from pulse, rhythm (grouping), and beats: Meter is the measurement of the number of pulses between more or less regularly recurring accents. Therefore, in order for meter to exist, some of the pulses in a series must be accented—marked for consciousness—relative to others.