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Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics, or singing, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. [1] [2] [3]
Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals.
A Saucerful of Secrets (instrumental) The Savage (song) Scandinavia (composition) Scarlett O'Hara (instrumental) Sense of Doubt; Seven Seas of Rhye; Shindig (song) Signs of Life (instrumental) Sirius (instrumental) Sleep Walk; Soleado; A Song for Chi; Song for Guy; Sparks (The Who song) Speak to Me; Speed of Life (David Bowie song) St. Tristan ...
Walk, Don't Run (instrumental) The War Lord (instrumental) Washington Square (composition) Watermelon Man (composition) Wheels (The String-A-Longs song) Whipped Cream (song) White Summer; Wiggle Wobble; Wild Weekend (instrumental) Wipe Out (instrumental) Wonderful Land; Wonderland by Night
"YYZ" was the first of six Rush songs (over three decades) to be nominated for a Grammy in the category of Best Rock Instrumental Performance. [citation needed] The song was a live performance staple, having been played on every one of the band's concert tours since its release, except the Roll the Bones Tour.
Pick Up the Pieces (Average White Band song) Pinocchio (instrumental) R. Rise (instrumental) The Rockford Files (theme) Root Beer Rag; S. Scorpio (instrumental ...
"Jessica" is an instrumental piece by American rock band the Allman Brothers Band, released in December 1973 as the second single from the group's fourth studio album, Brothers and Sisters (1973). Written by guitarist Dickey Betts , the song is a tribute to gypsy jazz guitarist Django Reinhardt , in that it was designed to be played using only ...
The song is described as a hard rock, [11] progressive rock, and blues rock instrumental, [12] [13] [14] and an example of art rock by non-art rock bands. [ 15 ] In 1983, Winter released a beat-heavy, more-synthesizer-heavy reworking of the song; [ 16 ] its contemporaneous video, an homage with Winter appearing as Dr. Frankenstein, was added to ...
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