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However, in the case of stained glass, these efforts are complicated by the nature of the medium itself. This is because a stained-glass window is a 'complex object' in that it is made from more than one component material, each with its own inherent risks and conservation needs (Pye 2001, 80).
Stained Glass is played on a field of intersecting vertical, horizontal, and diagonal lines. At the intersections of some of these lines are small circles, either unshaded, grey shaded, or completely darkened.
By way of illustration, the following code fragments demonstrate detection of patterns within event streams. The first is an example of processing a data stream using a continuous SQL query (a query that executes forever processing arriving data based on timestamps and window duration).
A stream can be used similarly to a list, but later elements are only calculated when needed. Streams can therefore represent infinite sequences and series. [1] In the Smalltalk standard library and in other programming languages as well, a stream is an external iterator. As in Scheme, streams can represent finite or infinite sequences.
The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
In type theory and functional programming, a stream is a potentially infinite analog of a list, given by the coinductive definition: [1] [2] data Stream α = Nil | Cons α ( Stream α ) Generating and computing with streams requires lazy evaluation , either implicitly in a lazily evaluated language or by creating and forcing thunks in an eager ...
The bridge pattern is often confused with the adapter pattern, and is often implemented using the object adapter pattern; e.g., in the Java code below. Variant: The implementation can be decoupled even more by deferring the presence of the implementation to the point where the abstraction is utilized.
The foundation stone of Liverpool Cathedral was laid on 19 July 1904, [1] and it was completed in 1979. [2] Giles Gilbert Scott won the competition to design the cathedral, [3] and a Stained Glass Committee under the chairmanship of Sir Frederick Radcliffe was established to organise the design of the stained glass in the windows.