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[3] [4] [5] The music was composed by Jalīl Ghahlānd and was arranged by Ustad Salim Sarmad. [6] [7] It is known alternatively by the title of "Garam shah lā garam shah" (English: "Be ardent, be more ardent"), which is also the song's incipit. Like many national anthems, it was sometimes sung abbreviated, with only the chorus and the first ...
The Afghan concept of music is closely associated with instruments, and thus unaccompanied religious singing is not considered music. Koran recitation is an important kind of unaccompanied religious performance, as is the ecstatic Zikr ritual of the Sufis which uses songs called na't, and the Shi'a solo and group singing styles like mursia, manqasat, nowheh and rowzeh.
It was composed and arranged by Khalid Rajab Bey, a Turkish professor at the School of Industry and Music who taught music in Kabul during the reign of Amanullah Khan. It was played on state visits abroad by Amanullah. [1] Although it is difficult to say whether it has become a national anthem in the modern sense.
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The song was written by Harry Donnelly and William A. Wilander. It tells a story about Afghanistan of an Afghan Hindu woman and a man seeking to marry her, evoking imagery of elephants, temples, and the Afghan landscape. [5] [6] [7] The cover art was drawn by noted sheet music cover artists the Starmers.
In 2019, Sayeed won the Afghan Icon Award and was named the 2017 Best Female Artist of Afghanistan. [12] She also received the title "Voice of Afghanistan" from the Afghanistan National Television and Radio Network. Aryana has also received awards for Best Song of the Year, Best Video of the Year, and a Bravery Award. [12]
It is the only song sung in the time of grief and on the occasion of marriage. In music it is sung with the traditional Afghan musical instruments rubab and mangai. Tappa has up to 16 different models of harmony and is sung with full orchestra. In hujrah it is sung with rubab and sitar.
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