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Small PA systems may extend to an entire building, such as a restaurant, store, elementary school or office building. A sound source such as a compact disc player or radio may be connected to a PA system so that music can be played through the system. Smaller, battery-powered 12 volt systems may be installed in vehicles such as tour buses or ...
In some small to mid-size venues, such as bars and nightclubs, the PA system may not have the capacity to provide the bass sound for the venue, and the PA system may be used mainly for vocals. Bass players in bands that play at a variety of venues, including these types of small to mid-size venues, may need to be able to provide the bass sound ...
As a result of improvements to PA and monitor systems, musicians in the 2000s no longer need huge, powerful amplifier systems. A small combo amplifier patched into the PA suffices. In the 2000s, virtually all sound reaching the audience in large venues comes from the PA system. Onstage instrument amplifiers are more likely to be at a low volume ...
In rock music's early days, PA systems were not very loud or powerful, so 1960s rock bands typically used the PA system just for the vocals, even if they were playing at a large venue. As a result, the rhythm section musicians playing electric guitar , electric bass and keyboards were expected to produce enough volume to fill the venue using ...
Touring systems range from mid-sized systems for bands playing nightclub and other mid-sized venues to large systems for groups playing stadiums, arenas and outdoor festivals. Tour sound systems are often designed with substantial redundancy features, so that in the event of equipment failure or amplifier overheating, the system will continue ...
Kaman downsized their music division in 1997 and sold the company to a trio of Trace Elliot directors, who took ownership of a brand with nearly 200 staff on a 110,000-square-foot (10,000 m 2) site; they focused on exploiting the North American market, and in 1998 sold the company as Trace Elliot USA to Gibson.
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In 1967-1968 The Who used the WEM (Watkins Electric Music) Audiomaster five-channel mixer and multiple WEM 100-watt transistor PA amplifiers chained together as their sound system. [4] In the concert movie Pink Floyd: Live at Pompeii (1972), the band is shown using WEM PA equipment as it performs in the ruins of an ancient amphitheatre in ...
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