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Ya Jaane Na is the soundtrack album to the 2008 film of the same name directed by Abbas Tyrewala and produced by Aamir Khan Productions and PVR Pictures starring Imran Khan and Genelia D'Souza. The film's soundtrack featured ten songs composed by A. R. Rahman featuring lyrics written by Tyrewala himself.
Ya Jaane Na, composed by A. R. Rahman with lyrics by Abbas Tyrewala, was released in India on 21 May 2008 with producer Aamir Khan presenting the first audio CD to veteran actor Shammi Kapoor. [ 22 ] [ 23 ] Rahman was awarded with the Filmfare Award for Best Music Director and the Screen Award for Best Music Director for the soundtrack.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
The film stars Vinay Pathak and Neha Dhupia, whilst Rajat Kapoor, Naseeruddin Shah, Sanjay Mishra, and Saurabh Shukla play supporting roles. The film was released on 16 December 2011. [1] The title of the film is taken from a song of the same name from the film Jaane Tu... Ya Jaane Na (2008).
Abbas Tyrewala was born in Mumbai, Maharashtra on 15 Mary 1974. He began working as a lyricist for the 2000 film Dil Pe Mat Le Yaar!! and 2001 film Love Ke Liye Kuch Bhi Karega before writing dialogues for films starting with Asoka (2001).
Mathures Paul of The Statesman gave the film 2 out of 5 stars, noting, "It really doesn’t matter if Abraham lost a few stones to play Sid, if Pakhi is a good scriptwriter (though she looks like a middle-aged aunt with two left feet), AR Rahman is the music director and Abbas Tyrewala's last film was the modestly successful Jaane Tu Ya Jaane ...
Composers may use chord substitutions when they are basing a new jazz tune on an existing chord progression from an old jazz standard or a song from a musical; arrangers for a big band or jazz orchestra may use chord substitutions in their arrangement of a tune, to add harmonic interest or give a different "feel" to a song; and instrumentalists ...
Though power chords are not true chords per se, as the term "chord" is generally defined as three or more different pitch classes sounded simultaneously, and a power chord contains only two (the root, the fifth, and often a doubling of the root at the octave), power chords are still expressed using a version of chord notation.