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The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by the Italian diplomat, philosopher, and political theorist Niccolò Machiavelli in the form of a realistic instruction guide for new princes.
The following other wikis use this file: Usage on mn.wikipedia.org Никколо Макиавелли; Usage on ru.wikisource.org Индекс:Il Principe-Machiavelli-Kurochkin.pdf
While fear of God can be replaced by fear of the prince, if there is a strong enough prince, Machiavelli felt that having a religion is in any case especially essential to keeping a republic in order. [93] For Machiavelli, a truly great prince can never be conventionally religious himself, but he should make his people religious if he can.
The Art of War is divided into a preface (proemio) and seven books (chapters), which take the form of a series of dialogues that take place in the Orti Oricellari, the gardens built in a classical style by Bernardo Rucellai in the 1490s for Florentine aristocrats and humanists to engage in discussion, between Cosimo Rucellai and "Lord Fabrizio Colonna" (many feel Colonna is a veiled disguise ...
This proposal that leaders can overcome the arbiter of all things is a common theme in Machiavelli's better known political works such as The Prince. By treating Castracani as a founder, almost, of a new state, Machiavelli used him as an example of the most important type of prince according to his other writings.
Anti-Machiavel is an 18th-century essay by Frederick the Great, King of Prussia and patron of Voltaire, consisting of a chapter-by-chapter rebuttal of The Prince, the 16th-century book by Niccolò Machiavelli. It was first published in September 1740, a few months after Frederick became king. [1]
After his exile from political life in 1512, Machiavelli took to a life of writing, which led to the publishing of his most famous work, The Prince.The book would become infamous for its recommendations for absolute rulers to be ready to act in unscrupulous ways, such as resorting to fraud and treachery, elimination of political opponents, and the use of fear as a means of controlling subjects ...
Machiavelli, Il Principe (c. 1513, published in 1532). George Buchanan, De iure regni apud Scotos (1579), a work in the form of a Socratic dialogue on ideal kingship dedicated to the young James VI of Scotland; Giovanni Botero, The Reason of State (1589), a criticism of Machiavelli's Prince.
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