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The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by the Italian diplomat, philosopher, and political theorist Niccolò Machiavelli in the form of a realistic instruction guide for new princes.
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Lorenzo di Piero de' Medici, to whom the final version of The Prince was dedicated. Machiavelli's best-known book Il Principe contains several maxims concerning politics. Instead of the more traditional target audience of a hereditary prince, it concentrates on the possibility of a "new prince".
The Art of War is divided into a preface (proemio) and seven books (chapters), which take the form of a series of dialogues that take place in the Orti Oricellari, the gardens built in a classical style by Bernardo Rucellai in the 1490s for Florentine aristocrats and humanists to engage in discussion, between Cosimo Rucellai and "Lord Fabrizio Colonna" (many feel Colonna is a veiled disguise ...
Anti-Machiavel is an 18th-century essay by Frederick the Great, King of Prussia and patron of Voltaire, consisting of a chapter-by-chapter rebuttal of The Prince, the 16th-century book by Niccolò Machiavelli. It was first published in September 1740, a few months after Frederick became king. [1]
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This proposal that leaders can overcome the arbiter of all things is a common theme in Machiavelli's better known political works such as The Prince. By treating Castracani as a founder, almost, of a new state, Machiavelli used him as an example of the most important type of prince according to his other writings.
After his exile from political life in 1512, Machiavelli took to a life of writing, which led to the publishing of his most famous work, The Prince.The book would become infamous for its recommendations for absolute rulers to be ready to act in unscrupulous ways, such as resorting to fraud and treachery, elimination of political opponents, and the use of fear as a means of controlling subjects ...
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