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The low-end SG-100 and the P-90 equipped SG-200 appeared during this time, as well as the luxurious SG Pro and SG Deluxe guitars. Vibrato ( tremolo arm ) tailpieces were also introduced as options. In 1972 the design went back to the original style pickguard and rear-mounted controls but with the neck then set further into the body, joining ...
The Gibson EB-3 is a bass guitar introduced in 1961 and discontinued in 1979. It was produced at Gibson's plant in Kalamazoo, MI. [1] It features a slim SG-style body, a short 30.5" scale, and two pickups (a large humbucking pickup in the neck position and a mini-humbucker pickup in the bridge position).
Gibson has used other scale lengths on various models through the years. Gibson's nominal "24.75" in scale length has itself varied, sometimes measuring 24 + 5 ⁄ 8 or 24 + 9 ⁄ 16 inches (625 or 624 mm) depending on the production equipment used. [1] As Gibson necks are not typically interchangeable, this usually goes unnoticed in practice.
The body was styled after the design of the double-cutaway Les Paul Junior, but retained the mahogany neck and body and 30.5" scale length of the Gibson EB-1. It was available in cherry red only. This version of the EB-0 remained in production until 1961, after which the body was redesigned to resemble the Gibson SG [3] (like the contemporary ...
In 1959 Gibson created the EB-0 which was designed to complement the Les Paul Junior. In 1961 it was redesigned to match the SG guitar and the EB-) designation was retained. A two pickup version was later introduced called the EB-3 and a long scale variant was made called the EB-3L. Gibson also created the Thunderbird in 1963, which ...
The SG Melody Maker alongside the rest of the SG line was discontinued and replaced by the short-lived SG 100, 200 and 250 of 1972, quickly replaced by the more traditional SG I, II, and III. In 1974-75 Gibson finally moved to the much more cost-efficient bolt-on necks with the Gibson Marauder and then the Gibson Sonex of the 80s.
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