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A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the ...
Williams made over 8,000 silhouettes during his first year working at Peale's museum. [3] He earned between 6 and 8 cents for every silhouette he cut. [4] With the money Williams earned making silhouettes, he bought a house and married. [1] By 1823, silhouette-cutting as a profession was in decline, and Williams had to sell his house. [1]
Isabella Beetham was an 18th-century British silhouette artist. She began her career by cutting the silhouette images. After studying painting with successful miniature portraitist John Smart, Beetham painted silhouettes to be framed or miniatures were made for jewelry. From 1785 to 1809, she had a business on 27 Fleet Street in London, where ...
Symbolist painting was one of the main artistic ... developed a style of simple, ... —where he was born—with long-armed figures and delicate silhouettes.
Scherenschnitte (German pronunciation: [ˈʃeːʁənˌʃnɪtə]), which means "scissor cuts" in German, is the art of paper cutting design. The artwork often has rotational symmetry within the design, and common forms include silhouettes, valentines, and love letters.
Art Institute of Chicago: Paysage bords de Seine (On the Shore of the Seine) 1879: 14 cm × 23 cm (5.5 in × 9 in) Baltimore Museum of Art, Baltimore, Maryland Oarsmen at Chatou (French: Les canotiers à Chatou) 1879: 81.2 cm × 100.2 cm (32.0 in × 39.4 in) National Gallery of Art, Washington, D.C [24] Lunch at the Restaurant Fournaise
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A small oil study for the portrait is in the collection of the Farnsworth Art Museum. It is similar to the finished painting, except for the elongation of the shadows on the floor, the introduction of a wall behind Kenton, and the addition of his eyeglasses. The loose and energetic handling of the study was eliminated in the large painting. [8]
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