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"For Whom the Bell Tolls" is a song by the Bee Gees, released on 15 November 1993 by Polydor Records as the second single from their 20th studio album, Size Isn't Everything (1993). It was both written and produced by the brothers, peaking at number four on the UK Singles Chart and number six in Ireland. This song would be the band's highest ...
The European hit single, "For Whom the Bell Tolls", bubbled under on Billboard's Hot 100 at No. 109. [ 15 ] Reception of the album was mixed around the world, though it is notable that it was one of the most successful Bee Gees albums in Argentina , peaking at No. 1 due to the big success of "For Whom the Bell Tolls" there. [ 16 ]
"Paying the Price of Love" is the first single from the Bee Gees' 20th studio album, Size Isn't Everything (1993). The song was released in August 1993 by Polydor, reaching the top-10 in Belgium and Portugal, and the top-40 in Austria, Germany, the Netherlands, Switzerland, and the United Kingdom.
"How to Fall in Love (Part 1)" is a song by the Bee Gees. It was the third and final single issued from their twentieth studio album, Size Isn't Everything (1993). After the big hit of "For Whom the Bell Tolls", the Gibb brothers experienced a new European hit with this R&B ballad. The song was the result of one song written by Barry and ...
The single covers of the song, (in all countries) features the three remaining Bee Gees after the departure of Robin Gibb. Record World called it a "country-flavored ballad" that's "another solid winner for the Bee Gees." [4] The song was re-released in CD by RSO Records as a part in the EP of the same name (1987). [5]
All these decades on, Paul Simon is still looking for angels in the architecture. Maybe especially now; he’s 81 and, like many of his contemporaries, thinking about end-of-life issues both ...
The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. [4] Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim.
But Gidget, the gentle-yet-firm Taco Bell Chihuahua, was the real thing: the commercial face of the brand who inspired not just hunger, but joy; not just commerce, but compassion.